Dar a conocer a los interesados el desenvolvimiento más inmediato del destino nómada de Teatro Obstáculo a través del mundo. Crear en colaboración con los participantes un espacio de reflexión inteligente acerca del teatro y el arte en general.
Wednesday, December 5, 2018
The Abyss of the Birds by Victor Varela. La Mama Experimental Theater Club. New York City June 15 2018. Video Theo Cote
Gorgeous play! It represents the drama of totalitarianism while focuses on the conflicts between history and culture, history and knowledge; and ultimately, between history and poetry. Beautifully balanced by the artwork hanging on the walls and the poetry of the performance, the three extraordinary actors support the intention of the playwright to transform the stage into an art gallery where History is not knowledge; it is perhaps a voracious repetition of facts, a subversively poetic vendetta where “victim and executioner.” "bark at each other"
I find that The Abyss Of The Birds is an excellent theatrical representation an excellent work, with a very universal message. What I admire most of the work is that the message is given in an abstract way, the movement of the actors and the control over their body is spectacular and that gives more strength to the message. One can not deny the creativity of Varela who besides being an excellent painter has managed to capture all his experience of the abstract world of his painting and take it to the theater. Enjoy a lot watching this work that is not only creative, but also innovative
Beautifully well made play, great use of space and the exchange of lights. The music was an excellent way of intensifying the drama with the train track noises and the lowering of lights gave it also a subdued yet mysterious touch. Amazing paintings and passionate actors with such great skill of poetry.... what more could you ask for?!?! Definitely would come again !
It is impossible to participate in this theatrical work without remaining in your memory and personal files as one of the greatest experiences. It is impressive up to the use of silence, the peculiar way of taking me to reflection. The intellectual potential and the effort of the assembly and performance of the actresses and the actor exceeded my expectations. But the most important thing is that while the time elapsed as an expectant, I left with the sensation of seeing it again, as if there were still spaces to fill given the depth and handling of the main theme. The objective of the author of communicating is fulfilled. I was very pleasantly impressed, it was like a "Deja vu" Impossible to stop thinking. This work deserves to pass to posterity is a great teaching even for any generation, it does not matter creed religion nor the origin In my opinion the subject is payable to any latitude and space !!! Congratulations "" "
Why is it so hard to find theater this great anymore? This is the type of play that has something for everyone. It manages to navigate through the realms of the deeply conceptual, the seemingly ordinary and even the comedic and entertaining. I found it was very smart the way they kept a constant interplay of voice, visuals and physical motions that, together, added very interesting layers/dimensions to this particular work. Teatro Obstáculo is definitely on to something special here. They just owned the stage and wowed the public that special night I saw them. The whole cast seems very organic and professional, involved and inviting. And yes, by all means I agree with friends that said this is the kind of impressive work that warrants more than one viewing. So as soon as I find out they are putting up this production again, trust me I will be first in line.
Grandioso trabajo de los actores y de su director, bellísima puesta en escena con un imaginario propio pero que estimula el imaginario colectivo, donde el espectador sin duda es activo. Un universo con sus propias leyes, trascendente y universal, muy cuidado y exquisito el trabajo físico, sonoro y plástico, profundidad orgánica, realmente una joya esta pieza. Estamos deseando que Teatro Obstáculo venga a España,los esperamos con los brazos abiertos. Muchas felicidades, Selene Perdomo.
La pièce de Victor Varela est intrigante. La gestuelle extrêmement précise peut paraître répétitive tout d’abord mais elle évolue de fait tout au long du spectacle. L’utilisation de l’anglais et de l’espagnol donne un caractère particulier aux phrases anonées par les comédiens. Sans expressions apparentes, ces derniers, font passer avec force le message de l’auteur. Ce spectacle qui peut paraître aride dans les premiers temps prends toute sa force progressivement entraînant le spectateur dans un univers entièrement “Valérien”.
Arman, como siempre me pasa con todas tus obras, El abismo de los pájaros me ha llegado muy adentro. No te había dejado comentario alguno porque acabo de terminar de leerla y no quería ver el fragmento que has puesto aquí hasta que no terminara mi lectura. El mensaje del escrito está muy bien planteado en la puesta en escena. Me llegó claro y alto, como todo lo tuyo. ¡Y eso que es solo un fragmento! Entre gestos, palabras y atmósfera, acabo de vivir una experiencia inolvidable, como me ocurre, repito, cada vez que disfruto una de tus obras.
Interesante simbiosis de plasticidad humana y lienzo .La penumbra consigue iluminar el espacio. El texto poético y maduro con un sayo que nos cabe a todos . Victor , eres el único que hace de la sobriedad una fiesta . no deja de asombrarme la expresividad de tus actores , su acertada sincronía desigual como la vida misma . Bajarnos al abismo para después volar o una suerte invertida. A ver si migráis a Barcelona . mientras tanto un aplauso mayúsculo para Teatro Obstáculo !
Interesante simbiosis de plasticidad humana y lienzo .La penumbra consigue iluminar el espacio. El texto poético y maduro con un sayo que nos cabe a todos . Victor , eres el único que hace de la sobriedad una fiesta . no deja de asombrarme la expresividad de tus actores , su acertada sincronía desigual como la vida misma . Bajarnos al abismo para después volar o una suerte invertida. A ver si migráis a Barcelona . mientras tanto un aplauso mayúsculo para Teatro Obstáculo !
Con esto de Trump, y el paro de la administración, The Abyss of the Birds sigue reafirmando su unirversalidad, aunque diga que se trata "de Judios y de cubanos"
Así es, cubanos y estadounidenses viven un verdadero abismo. Los unos con un proyecto de constitución autoritarista que será aprobada en febrero disfrazada de referendum para legitimar una ideología dominante, exclusiva y abusadora, los otros con un cierre de gobierno (el más largo de la historia de América) que mantiene a 800 000 trabajadores federales sin cobrar sueldo por más de 22 días y sin una fecha clara que especifique su reapertura. Ello expresa el claro descontento existente en ambos partidos con las políticas del gobierno estadounidense. El abismo de Cuba una constitución antidemocrática que inmoviliza el futuro y el abismo de Estados Unidos, “un callejón sin salida de más de $ 5.7 mil millones para la construcción de un muro a lo largo de la frontera sur” (1). “Por la obra de teatro pregunta el Coma andante” (2) y responde por igual al mismo nombre Donald Trump o Miguel Díaz-Canel.
Notas
1) NBC News. Government Shutdown becomes longest in U.S 2) Fragmento de “El Abismo de los Pájaros”
That's right, Cubans and Americans live a real abyss. The ones with a project of authoritarian constitution that will be approved in February disguised as a referendum to legitimize a dominant, exclusive and abusive ideology, the others with a government closure (the longest in American history) that maintains 800,000 federal workers without receiving a salary for more than 22 days and without a clear date specifying its reopening. This expresses the clear discontent existing in both parties with the policies of the US government. The abyss of Cuba an antidemocratic constitution that immobilizes the future, and the abyss of the United States, "an impasse of more than $ 5.7 billion for the construction of a wall along the southern border" (1). "The Coma-ander asks about the play" (2) and responds equally to the same name Donald Trump or Miguel Díaz Canel.
Notes
1) NBC News. Government Shutdown becomes longest in U.S 2) Fragment of "The Abyss of the Birds"
Gorgeous play! It represents the drama of totalitarianism while focuses on the conflicts between history and culture, history and knowledge; and ultimately, between history and poetry.
ReplyDeleteBeautifully balanced by the artwork hanging on the walls and the poetry of the performance, the three extraordinary actors support the intention of the playwright to transform the stage into an art gallery where History is not knowledge; it is perhaps a voracious repetition of facts, a subversively poetic vendetta where “victim and executioner.” "bark at each other"
I find that The Abyss Of The Birds is an excellent theatrical representation an excellent work, with a very universal message. What I admire most of the work is that the message is given in an abstract way, the movement of the actors and the control over their body is spectacular and that gives more strength to the message. One can not deny the creativity of Varela who besides being an excellent painter has managed to capture all his experience of the abstract world of his painting and take it to the theater. Enjoy a lot watching this work that is not only creative, but also innovative
ReplyDeleteExelente puesta en esena...Esencia del Teatro,me llevo una experiencia unica
ReplyDeleteTeatrobstaculo,otra vez algo bello y vivo
Suerte Hermanos
Beautifully well made play, great use of space and the exchange of lights. The music was an excellent way of intensifying the drama with the train track noises and the lowering of lights gave it also a subdued yet mysterious touch. Amazing paintings and passionate actors with such great skill of poetry.... what more could you ask for?!?!
ReplyDeleteDefinitely would come again !
It is impossible to participate in this theatrical work without remaining in your memory and personal files as one of the greatest experiences. It is impressive up to the use of silence, the peculiar way of taking me to reflection. The intellectual potential and the effort of the assembly and performance of the actresses and the actor exceeded my expectations. But the most important thing is that while the time elapsed as an expectant, I left with the sensation of seeing it again, as if there were still spaces to fill given the depth and handling of the main theme. The objective of the author of communicating is fulfilled. I was very pleasantly impressed, it was like a "Deja vu" Impossible to stop thinking. This work deserves to pass to posterity is a great teaching even for any generation, it does not matter creed religion nor the origin In my opinion the subject is payable to any latitude and space !!! Congratulations "" "
ReplyDeleteI forgot to put my name in the before comments My name is Nuria Lucia
ReplyDeleteWhy is it so hard to find theater this great anymore? This is the type of play that has something for everyone. It manages to navigate through the realms of the deeply conceptual, the seemingly ordinary and even the comedic and entertaining. I found it was very smart the way they kept a constant interplay of voice, visuals and physical motions that, together, added very interesting layers/dimensions to this particular work. Teatro Obstáculo is definitely on to something special here. They just owned the stage and wowed the public that special night I saw them. The whole cast seems very organic and professional, involved and inviting. And yes, by all means I agree with friends that said this is the kind of impressive work that warrants more than one viewing. So as soon as I find out they are putting up this production again, trust me I will be first in line.
ReplyDeleteGrandioso trabajo de los actores y de su director, bellísima puesta en escena con un imaginario propio pero que estimula el imaginario colectivo, donde el espectador sin duda es activo. Un universo con sus propias leyes, trascendente y universal, muy cuidado y exquisito el trabajo físico, sonoro y plástico, profundidad orgánica, realmente una joya esta pieza. Estamos deseando que Teatro Obstáculo venga a España,los esperamos con los brazos abiertos. Muchas felicidades, Selene Perdomo.
ReplyDeleteLa pièce de Victor Varela est intrigante. La gestuelle extrêmement précise peut paraître répétitive tout d’abord mais elle évolue de fait tout au long du spectacle. L’utilisation de l’anglais et de l’espagnol donne un caractère particulier aux phrases anonées par les comédiens. Sans expressions apparentes, ces derniers, font passer avec force le message de l’auteur. Ce spectacle qui peut paraître aride dans les premiers temps prends toute sa force progressivement entraînant le spectateur dans un univers entièrement “Valérien”.
ReplyDeleteArman, como siempre me pasa con todas tus obras, El abismo de los pájaros me ha llegado muy adentro. No te había dejado comentario alguno porque acabo de terminar de leerla y no quería ver el fragmento que has puesto aquí hasta que no terminara mi lectura. El mensaje del escrito está muy bien planteado en la puesta en escena. Me llegó claro y alto, como todo lo tuyo. ¡Y eso que es solo un fragmento! Entre gestos, palabras y atmósfera, acabo de vivir una experiencia inolvidable, como me ocurre, repito, cada vez que disfruto una de tus obras.
ReplyDeleteVictor, when is the next show?! Thanks!
ReplyDeleteThanks Nicole,
ReplyDeleteThe plan for 2019 is Miami, Avignon and New York, but I still do not have any places or dates. In this way I will know.
Me ha encantado la propuesta . Es excelente la representación y el mensaje! Para cuándo Teatro Obstáculo en España ?
ReplyDeleteInteresante simbiosis de plasticidad humana y lienzo .La penumbra consigue iluminar el espacio. El texto poético y maduro con un sayo que nos cabe a todos . Victor , eres el único que hace de la sobriedad una fiesta . no deja de asombrarme la expresividad de tus actores , su acertada sincronía desigual como la vida misma . Bajarnos al abismo para después volar o una suerte invertida. A ver si migráis a Barcelona . mientras tanto un aplauso mayúsculo para Teatro Obstáculo !
ReplyDeleteInteresante simbiosis de plasticidad humana y lienzo .La penumbra consigue iluminar el espacio. El texto poético y maduro con un sayo que nos cabe a todos . Victor , eres el único que hace de la sobriedad una fiesta . no deja de asombrarme la expresividad de tus actores , su acertada sincronía desigual como la vida misma . Bajarnos al abismo para después volar o una suerte invertida. A ver si migráis a Barcelona . mientras tanto un aplauso mayúsculo para Teatro Obstáculo !
ReplyDeleteThis comment has been removed by the author.
ReplyDeleteThis comment has been removed by the author.
ReplyDeleteCon esto de Trump, y el paro de la administración, The Abyss of the Birds sigue reafirmando su unirversalidad, aunque diga que se trata "de Judios y de cubanos"
ReplyDeleteAsí es, cubanos y estadounidenses viven un verdadero abismo. Los unos con un proyecto de constitución autoritarista que será aprobada en febrero disfrazada de referendum para legitimar una ideología dominante, exclusiva y abusadora, los otros con un cierre de gobierno (el más largo de la historia de América) que mantiene a 800 000 trabajadores federales sin cobrar sueldo por más de 22 días y sin una fecha clara que especifique su reapertura. Ello expresa el claro descontento existente en ambos partidos con las políticas del gobierno estadounidense. El abismo de Cuba una constitución antidemocrática que inmoviliza el futuro y el abismo de Estados Unidos, “un callejón sin salida de más de $ 5.7 mil millones para la construcción de un muro a lo largo de la frontera sur” (1). “Por la obra de teatro pregunta el Coma andante” (2) y responde por igual al mismo nombre Donald Trump o Miguel Díaz-Canel.
ReplyDeleteNotas
1) NBC News. Government Shutdown becomes longest in U.S
2) Fragmento de “El Abismo de los Pájaros”
That's right, Cubans and Americans live a real abyss. The ones with a project of authoritarian constitution that will be approved in February disguised as a referendum to legitimize a dominant, exclusive and abusive ideology, the others with a government closure (the longest in American history) that maintains 800,000 federal workers without receiving a salary for more than 22 days and without a clear date specifying its reopening. This expresses the clear discontent existing in both parties with the policies of the US government. The abyss of Cuba an antidemocratic constitution that immobilizes the future, and the abyss of the United States, "an impasse of more than $ 5.7 billion for the construction of a wall along the southern border" (1). "The Coma-ander asks about the play" (2) and responds equally to the same name Donald Trump or Miguel Díaz Canel.
Notes
1) NBC News. Government Shutdown becomes longest in U.S
2) Fragment of "The Abyss of the Birds"